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La Cartuja de Sevilla: stationery, box and magazine bearing the anchor seal on a grey background


La Cartuja de Sevilla


Activating 175 years of history
La Cartuja did not need visibility.
It had history.

More than 175 years of archive, symbols and legacy.
But its heritage was at risk of becoming a museum piece.

The challenge was not to modernise a historic brand.
It was to bring it back to life.


La Cartuja de Sevilla: Los Clásicos catalogue, tray and postcards featuring the anchorLa Cartuja de Sevilla: T-shirt and canvas tote bag with the anchor logo
Corporate Identity
We did not start from scratch.
We went back to the origin.

We recovered seal no. 18 (1841–1880), one of the most essential anchors in the archive.

The intervention was minimal: redraw, adjust, define.
Refine rather than reinvent.

The identity was not remade.
It was sharpened.






 

La Cartuja de Sevilla: logo with the anchor and the words Sevilla 1841


Changing the use to change the perception

La Cartuja’s tableware had been relegated to the display cabinet.
Associated with the exceptional. With the untouchable.

We proposed the opposite:
bring it back to the table.

Turn the extraordinary into the everyday.

The brand was not meant to be admired.
It was meant to be used.


La Cartuja de Sevilla: cover of the Los Clásicos catalogueLa Cartuja de Sevilla: open book showing a shelf full of earthenwareLa Cartuja de Sevilla: spread with figures from the historical archiveLa Cartuja de Sevilla: spread with tableware on the grass and a bicycleLa Cartuja de Sevilla: spread with a decorated serving dish and tureenLa Cartuja de Sevilla: feature on the Nievas Tenor family in the catalogueLa Cartuja de Sevilla: spread with plates and food

The archive as a platform

The renewed identity became the starting point for a new art direction.

We opened the brand to contemporary designers able to stretch its legacy without breaking it.




Vega 175 - Isaac Piñeiro

With Isaac Piñeiro we began a profound reworking of the formal language.

It was more than a collection.
It was a revival of production.

The dialogue with the house’s artisans was restored.
New finishes, matt glazes and coloured clays were explored.
Technologies such as 3D printing and CNC machining were brought in.

Tradition and experimentation were no longer opposites.



La Cartuja de Sevilla: Vega 175 piece by Isaac Piñeiro with the shadow of a hand

La Cartuja de Sevilla: cover of the Vega 175 publication by Isaac PiñeiroLa Cartuja de Sevilla: text pages from the Vega 175 publicationLa Cartuja de Sevilla: spread with jugs from the Vega 175 collectionLa Cartuja de Sevilla: spread with white and pink ceramic piecesLa Cartuja de Sevilla: spread with sketches and the Vega 175 pieceLa Cartuja de Sevilla: spread with Isaac Piñeiro’s complete collection

Georgica - Carmen García Huerta
With Carmen García Huerta we explored the historical notion of the exotic.

In the 19th century, the exotic was distant.
Today it is imagined, emotional, narrative.

Georgica reinterpreted that heritage through a contemporary lens, building a dreamlike landscape that speaks to new sensibilities without abandoning the house’s DNA.

The collection does not break with the historical narrative.
It extends it.


La Cartuja de Sevilla: cup, plate and bowl illustrated by Carmen García Huerta
La Cartuja de Sevilla: cow skull on a black cabinet, from Carmen García Huerta’s series

La Cartuja de Sevilla: cover of the Georgica publication by Carmen García HuertaLa Cartuja de Sevilla: spread with tropical plantsLa Cartuja de Sevilla: text pages from the Georgica publicationLa Cartuja de Sevilla: spread with the illustrator working in her studioLa Cartuja de Sevilla: still life with illustrated tableware on a dark backgroundLa Cartuja de Sevilla: still life with antique jars and illustrated bowlsLa Cartuja de Sevilla: spread with a seagull and decorated platesLa Cartuja de Sevilla: spread with pink coral and tablewareLa Cartuja de Sevilla: spread with an aeroplane and an illustrated tray

New Talents - Ana Jarén

We chose to give a voice to new generations.

With Ana Jarén we redefined the exotic from an intimate, everyday perspective.
The home as narrative territory.

The brand grows younger without losing coherence.
It evolves without dressing up.




La Cartuja de Sevilla: vase by Ana Jarén with red branches on a desk
La Cartuja de Sevilla: vase illustrated by Ana Jarén on a light blue background


The result
La Cartuja is no longer a historic brand looking to the past.

It becomes a heritage brand in motion.

The recovered seal provides roots.
The collections provide contemporary tension.
The art direction provides coherence.

We did not design an identity.
We designed a system in which the past can keep producing the future.


La Cartuja de Sevilla: black and white tableware with yellow rims seen from above

La Cartuja de Sevilla: cup and tray with colourful geometric patterns